Wednesday, November 12, 2008

Soundtrack: Kill Bill Vol. 1
Supervisor(s): RZA
Released: 2003
Genre(s): Rock'n'Roll, 1960's, 1970's Score




DOWNLOAD -- Kill Bill Vol. 1


I saw the Kill Bill films back to back at a special screening in Hollywood in 2003. Tarantino spoke in between both films. Its the only time I've ever seen him speak. He was exactly as hilarious and ridiculous as you would think. A total character of himself he obsessed over Uma, he threw excitement out in the crowd on the films that he obsessed with-- his inspirations for both films. One of my favorite moments was talking about his collaboration with the RZA for making the Kill Bill duo. The "Main Title" in Vol. 1 was something the RZA heard in a Vietnamese restaurant in West LA. He was eating dinner and liked it so much that he convinced the restaurant to lend him the actual CD. He called Quentin after dinner and said he "found it".

I found this really cool interview with the RZA. Check out this excerpt:

"It was more of a collaboration. He had an idea and a vision when he wrote the script. I think I was more of somebody that kept it in the guidelines of what he wanted. He was like, here go the eggs, the milk, the cake, the sugar, everything, and I’m going to stir it up. Put this in the oven, watch it, take it out in forty five minutes. Now, am I going to take it out in forty five minutes or am I going to fall asleep? I made sure it got out and if I saw something wrong with it, I fixed it. So when he saw it, he was like, this is cake. ...there was one situation where you see, "Crane and White Lightning", that’s part of the original score, so it’s not really a song. A lot of that stuff is what I use to keep the vibe going between songs. "Crane and White Lightning" is a piece of music that Quentin wanted on the soundtrack, but was originally set for a Metallica track. There’s only one piece of music that I didn’t feel comfortable with when we were done. We lost a sample, I made one Hip Hop beat. I was like I gotta throw one in there. Quentin loved this beat. We rocked with it and it was one of the first things we did. I could've gotten away with it, it was a sample, but so undetectable, so unnoticeable. I wanted to take a chance, but in the movie business you can’t take those kind of chances. I wouldn’t risk nobody else. If it was my movie, I would have taken a chance, but this is Quentin Tarantino’s movie.